Nick Charles

Fingerstyle Roots and Blues

Looking forward to performing again all over the land just as soon as it’s possible. Take care and stay safe.

Please email pac50@bigpond.net.au to be kept up to date with Nick's gigs and other news.

“Guitar Music” out now on

Secure Online Sales now available here!

Black Market Music …Go to https://www.blackmarketmusic.com.au/newa.html

Also available on Spotify https://open.spotify.com/artist/2kufUC4TgHeOPu8OB7vzxg

Have a look at Nick's YouTube Channel and Subscribe. These were recorded with good audio in mind so do yourself a favour and listen through some good speakers or headphones! You can also enjoy these at full-screen resolution.

RHYTHMS MAGAZINE SEPTEMBER 2020

REVIEW OF “GUITAR MUSIC” BY TONY HILLIER

Those who have seen him perform live over the past 30 years or so, listened to his recordings or read his excellent Rhythms column will be well aware of Nick Charles’s considerable prowess as an acoustic guitar finger-picker and his expertise over a wide range of roots music.

The Victorian’s penchant for producing engaging and eclectic albums that encompass folk, blues and beyond is endorsed by Guitar Music, in which eight of his own compositions are scattered among immaculately delivered covers of Davey Graham’s well- thumbed solo study “Anji”, Duane Allman’s “Little Martha”, Mississippi John Hurt’s “Monday Morning Blues”, John Fahey’s “Last Steam Engine Train” and the Farina Brother’s standard “Sleepwalk”.

Vocally, Charles excels on a lovely song co-written by his sister that chronicles their mother’s journey “from sadness to happiness”.